"Yeye, mimi Msanii" emerges as a profound journey of self-exploration through the lens of self-portraiture, skillfully crafted by the artist. Within the confines of this experimental work, the artist endeavors to bridge the chasm between past and present, delving into the depths of memory while embracing the immediacy of the present moment.

Set against the backdrop of the artist's birthplace in Nangili Village, rural Kenya, each image serves as a poignant reflection of the spaces and landscapes that once shaped her earliest experiences. From the humble abode she called home to the verdant trees and meandering rivers that whispered tales of childhood innocence, every element within the composition serves as a conduit to the artist's past.

The title, "Yeye, mimi Msanii," encapsulates the essence of the artist's introspective journey, translating to "Her, me the artist." Through this juxtaposition, the artist assumes the role of both observer and subject, peering inward with a sense of detached curiosity. It is as though she gazes at herself from a distance, akin to a spectator peering through a window into the recesses of her soul.

As viewers engage with this evocative piece, they are invited to embark on their own introspective odyssey, confronting the juxtaposition of past and present within their own lives. "Yeye, mimi Msanii" serves as a mirror, reflecting not only the artist's personal journey but also prompting viewers to confront their own innate sense of self.

In its essence, "Yeye, mimi Msanii" transcends the confines of traditional artistry, emerging as a powerful catalyst for self-reflection and growth. It beckons viewers to look inward, to confront the person they once were with the individual they aspire to become. Through its raw authenticity and unflinching honesty, this work stands as a testament to the transformative power of self-exploration and the enduring quest for identity.